Disco Elysium
A narrative RPG with detailed micro-reactivity.
Where Disco Elysium comes up2 episodes and tests
Gcreator of Game Maker's Toolkit testThe 100 Games That Taught Me Game Design
Gcreator of Game Maker's Toolkit testCan we Improve Tutorials for Complex Games?Disco Elysium tells one story with no big branches, yet it remembers small choices like running everywhere, insulting characters or walking around in your underwear, and refers back to them. Its dialogue boxes also echo a Twitter feed, so players need little instruction. The lesson: track small actions and reflect them back, and borrow familiar interfaces to cut tutorial needs.
- 1Player makes small choiceRun everywhere, insult people, wear underwear
- 2Game tracks itStill one story, no big branches
- 3Characters reactThey comment on it in dialogue
- 4Late scene recapsCharacters discuss your whole journey
From Justin Keenan, ZA/UM writer
What was said about Disco Elysium
Disco Elysium remembers small choices and has characters comment on them. It has largely one story with no big branches or multiple endings. It still tracks whether you run everywhere, insult characters or walk around in your underwear, and characters react to it, even in a late scene where they discuss your journey.
ZA/UM writer Justin Keenan calls this micro-reactivity, close to a good dungeon master listening to you. The lesson drawn: "even small choices can be impactful and memorable when done right".
Disco Elysium borrowed a Twitter feed look for its dialogue. Its dialogue boxes echo a Twitter feed, a familiar interface that players need little instruction to read.
Reigns does the same with Tinder's swipe. The principle is that "by leaning on stuff that players already know, games can feel intuitive to play".
The 100 Games That Taught Me Game Design
It has one story with no big branches, yet remembers if you run everywhere, insult characters or walk around in your underwear. ZA/UM writer Justin Keenan calls this micro-reactivity.
Disco Elysium remembers small choices and has characters comment on them. It has largely one story with no big branches or multiple endings. It still tracks whether you run everywhere, insult characters or walk around in your underwear, and characters react to it, even in a late scene where they discuss your journey.
ZA/UM writer Justin Keenan calls this micro-reactivity, close to a good dungeon master listening to you. The lesson drawn: "even small choices can be impactful and memorable when done right".
Can we Improve Tutorials for Complex Games?
Its dialogue boxes echo a Twitter feed, borrowing a familiar interface so players need little instruction.
Disco Elysium borrowed a Twitter feed look for its dialogue. Its dialogue boxes echo a Twitter feed, a familiar interface that players need little instruction to read.
Reigns does the same with Tinder's swipe. The principle is that "by leaning on stuff that players already know, games can feel intuitive to play".
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